my autographed window card |
I was especially keen about the fact that Charles Busch would now be taking on the lead role of Marjorie (which he had actually written for Linda Lavin) and Linda Lavin would be playing Marjorie's salty mother, Frieda (the original actress has unfortunately passed away in the years since the original Broadway production closed). And my old Ohio friend would be participating as well, so all signs pointed to my having a fabulous time.
AND I DID. I laughed my tuchus off, thank you very much. The evening started with Linda Lavin coming out and chatting about her impulse to put the evening together (and her brief speech was a wonderful amuse bouche comic monologue itself). Once the performance started, Charles was a riot as the depressed and dissatisfied Marjorie (thinking about the phone monologue to Frieda's doctor is making me giggle again as I type), Tony Roberts was deadpan delicious as Marjorie's saintly husband, Michele Lee (who I didn't recognize at first, I must admit, from my seat in the back row) was effervescent, Anil Kumar was charm personified as Mohammed the doorman. Linda Lavin, who I referred to as a theatrical treasure in my first paragraph above, was, yes, a treasure as Frieda. The other cast members could hardly contain their laughter at Linda's line readings of Frieda's intestinal troubles, and it was almost anarchy onstage when she related her 'near-lesbian experience' while making hamantaschen. Oh, did I forget to mention that I nearly collapsed from laughter during Charles/Marjorie's description of her first attempt to write a novel? Hearing her talk about her work as 'phantasmagoria' and having Helen Keller and Plato as characters...SO funny.
photo credit: Rebecca J. Michaelson |
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