The ease with which they dance together is astonishing. You can't manufacture chemistry and these two dancers have it in spades. They're so sure with each other - the implicit trust is spectacular. They have speed and conviction, along with gorgeous technique and musicality. They've also deepened their acting, in my opinion.
The acting in Romeo and Juliet last Friday rivalled many productions of the play that I've ever seen. I just think this entire cast gels together in a way many casts never do. Jared Matthews and Joseph Gorak as Mercutio and Benvolio blend beautifully as Romeo's friends. In their trios, there is such a rapport, and there were bits I don't think I've seen before, like Romeo coming in at the end of the Mandolin Dance for Mercutio to jump over. Just wonderful, both in the quality of the dancing and the way the choices informed the characterizations.
In Le Corsaire, I didn't think Osipova was doing much acting, just dancing - beautiful dancing, but I didn't see a throughline. In Romeo and Juliet, she is simply spectacular. She was so natural and affecting, I just couldn't stop watching her, even during the mime scenes. Waiting to take the sleeping potion was heartstopping - she filled the music fully with her terror and resignation. Her fevered dancing with Hallberg during the bedroom scene was eye-opening. And the balcony scene was tremendous. I found myself holding my breath through much of it, because I just couldn't believe the beauty and the speed and commitment. And don't even get me started about their pas de deux in the crypt - stunning. STUNNING. So much passion and sadness. It was glorious. And, as always, that final pose just broke my heart. The spectacular shot on the right (as opposed to my unspectacular shots throughout) is from the ABT Facebook page and was taken by Gene Schiavone. I think you can get a glimpse of their rapport in this photo.
No comments:
Post a Comment