photo credit: Gene Schiavone |
You all know I do love me some Swan Lake, though after my gold standard performance in 2013, I'm always a little wary. Here are some thoughts on previous visits to the lake: 2013 and 2015. I was happy to see one of the new principals take on Odette/Odile, Devon Teuscher. I thought she was terrific. She was very elegant and moving as Odette, with beautiful arms and deliciously romantic poses. She did lack the amazing swan arms that I've loved on other dancers, but this is only the second or third time she's done the ballet, so there's room for growth. Her Black Swan/Odile was fantastic! So glitteringly evil, she didn't even look like the same woman! And her fouettes were downright fantastic! She traveled a bit, but that's ok. And the speed and fire of her dancing finally woke up her prince Siegfried, Cory Stearns.
photo credit: Gene Schiavone |
I went back and looked at old reviews of Cory - I generally describe him as 'stalwart.' A very pleasant and handsome dancer and a strong partner. A couple of years ago, I saw him as Siegfried (see link above) and thought he had made giant leaps (ha! leaps!) in the acting department, but he seems to have regressed. The scuttle is that he and Devon are a couple offstage, as well, so perhaps he was holding himself back to let her shine more? I don't know; all I do know is that he was fine, not bad, but nothing special and so I didn't really feel anything throughout. Though I will say that he was electric after the Black Swan pas de deux until the end - his frantic dancing with Odette because he's sentenced her to death was quite well done, and his death leap was very exciting. I just wish he had done some of the exciting dancing/acting earlier in the evening.
My ABT MVP, Roman Zhurbin, was again the lizard form of Rothbart, and again, he was terrific. I just can't believe how he finds new layers and new pieces of business, all while wearing a huge rubber lizard suit. Thomas Forster was Purple Rothbart and he was outstanding! I always enjoy him and boy, was he seductive in the ballroom. His arabesque may not have been as high and secure as Marcelo Gomes' (he's always the gold standard, as far as I'm concerned), but other than that, he was fantastic. The pas de trois in the first act was done excellently by Blaine Hoven, Catherine Hurlin, and Katherine Williams. I am going to keep my eyes on those two ladies - they were effervescent. The four baby swans were lovely in the second act, along with the swan soloists. Oh, and I was so impressed with Duncan Lyle and Jose Sebastian in the Spanish Dance. They were fabulous.
I'm always happy to see dancers take on new roles and I look forward to watching Teuscher develop as a principal dancer. Maybe her new roles will inspire Cory to take some risks, too. Only two more ballets in my season - I need to make them last!
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